“A Rising Star In The Indie World.” The Guardian.
Orna Ross is a bestselling and award-winning Irish author, with a strong background in education, and a desire to help others achieve their creative potential — in writing, in publishing and in life.
She writes sweeping cross-generational, trans-Atlantic historical fiction, stories in which mysteries and secrets from the past threaten happiness today. She also writes inspirational poetry and guidebooks for authors, creatives and creativists.
Ross is a self-publishing, indie author and Founder-Director of the Alliance of Independent Authors, a non-profit writers’ association.
She is a passionate promoter of creative writing and independent publishing as forms of artistic expression and tools of personal healing and transformation, as well as viable career options with significant and growing potential today.
She has repeatedly been named one of the “100 most influential people in publishing” by The Bookseller, the trade magazine of UK publishing.
Born in Waterford City and raised in Wexford, in the south-east of Ireland, Ross now divides her life between London and St Leonard’s on Sea.
YES THERE’S MORE. ORNA SAYS:
I’m a proud indie author: In 2011, I took my rights back from my then publisher, Penguin, due to “creative differences”. I wanted to try self-publishing, though I didn’t expect to do well at it — I was almost 50 at the time and tech is not a strength of mine — I wanted to understand it. Learning meant doing. I quickly knew it was the best move of my writing life. Since then, my books have won awards, reached the top of bestseller lists and sold in more than 30 countries around the world. Even more rewarding is the close relationship self-publishing allows between me and my readers — and the creative freedom it has brought me.
I’m also a creative facilitator: My Go Creative! series is devoted to this aspect of my work. It argues that the same creative process that creates a book creates everything. Out of the series has come my online club for creativists, a place where those with an interest in conscious creation and creative living can come together to support and motivate each other. These can be creatives (those who wants to make art or literature) or
These can be creatives (those who wants to make art or literature) or creativists (those who want to bring the creative process to every aspect of life). Whatever we want to consciously create, the process is always the same.
Social Media: I’m active on various social media, spending an hour a day floating about online, most days. Twitter is my platform of choice for socialising and I give a free book to all new followers. Tweet me: @ornaross.
I am also on Facebook, where I broadcast my blog and am active in author forums for ALLi.
I post haiku and creative quotes on Instagram: ornaross.
Connect with me using the hastag: #creativemoments
I’ve tried to summarize below my answers to the questions readers most often ask:
Born: Áine McCarthy, in Waterford, Ireland, in 1960. Yes, Orna Ross is a pseudonym.
Raised: Murrintown, Co. Wexford, which was then officially (in my mind, anyway) the smallest village in the world. Nuclear Irish family, eldest of five, three brothers and a sister.
Hometown: Can I have three? The first was, and still is, Wexford town and its surrounds, from Murrintown to Rosslare (where the mammy now lives). A trip to Wexford, with its long quay, crooked Viking streets and international opera festival always felt like a magical excursion to me. It still does.
Between the town and Murrintown was Johnstown Castle, a Victorian neo-gothic pile, with lakes and gardens, and nearby evocative ruins at Rathlannan and cemetery at Kildavin. (Don’t you love even the names of these places?). I spent many formative days roaming around these, reading books and communing with swans and gravestones!
Then there’s Dublin, especially Clontarf where I lived, on and off, for 20-something years, and raised my family.
And London, incomparable London.
There’s San Francisco, where I spend some time most winters, which always gives me and my writing, some Californian can-do oomph.
And now there’s St Leonards on Sea, on the south coast of England which The Guardian has described as “one part retired great aunt, one part rogueish Regency bounder, two parts 20s Bright Young Thing and a dash of 60s hippy.” I would add one part social deprivation and now a splash of artistic regneration.
Education: Murrintown National School. Loreto Convent Wexford. University College Dublin (BA English Lit, MA Women’s Studies and for some years, a lecturer in Cultural Studies & Creative and Imaginative Practice there).
Religious Views: Thanks to my convent education, I’m not religious. (Sorry sisters, you should have practiced what you preached!)
What I do believe in is the creative process. It seems to know what it’s doing. I try to engage and emulate it.
Faith in this process holds me in the way the concept of God holds others.
Marital Status: 30+ years, to the man known round these parts as “The Hub”. So far, so fair.
Children: Two twenty-somethings “The Daughter” and “The Son”.
Why The Pseudonym? Outside Ireland, people find my real name, Áine, difficult to pronounce (it’s “awn-ya”, folks, not “ayn-eh”) When I started out as a novelist, my then publisher thought a short and what he called easy (i.e. phonetic in English) name would be better.
But there’s a bit more to it than that. Every writer is engaged in a creative double-act, between the writing and the life. (Here’s a poem I wrote about that.). For me, having a pseudonym, and using pseudonyms for my family and close friends, keeps those two separate in a way that I find necessary to good, creative living.
Politics: Man-loving feminist progressive. I was once active in the struggle for women’s rights in Ireland, when it was sorely needed, and now an Irish Repeal The Eight Amendment threatens to bring me out of political retirement.
I’d still like to see the cage of gender dismantled: see more women and positive female values in public life, see more men and positive male values in private life. A rebalancing of male and female energy seem to me to be the founding stone of all liberation.
I still devote energy to change (we can always do better, right?) but now I prefer a more creative approach and know the real challenge is what Ghandi said, to be the change.
Day jobs Past: Schoolteacher, waitress, aerobics instructor, journalist, editor, university lecturer, writing school director, literary agent.
Diet: Vegetarian since 1995, when I visited an abattoir. Mostly vegan since breast cancer brought Jane Plant’s work on the links between hormone-saturated dairy and cancer to my attention.
Interests: Conscious creation. The human brain, psychology and human potential. Reading, writing, publishing. TV, cinema and theatre. History and historical fiction. Walking & jogging. Yoga & wall tennis. Music. Travel. Meditation. Philosophies, East and West, especially Zen Buddhism. Beaches & woods. Wild swimming. Web surfing.
Not so keen on: Spectator sport, “reality” TV, consumer culture.
Inspirations: History, gender, Ireland, the sea, other writers and conscious creators.
History: I agree with Mr Hartley that the past is, indeed, another country and it’s my favorite place to travel. I’m especially drawn to bohemian times and places where shackles are thrown off and creativity flourishes — fin de siecle Paris (1890s); literary revival and revolutionary Ireland (1910/20s); hippy (1960s) and gay lib (1980s) San Francisco.
Gender: We are all seeded by man and born of woman and we all carry “male” and “female” characteristics within. How these play out, in an individual life and in different societies, is endlessly fascinating to me.
Ireland: Oh, Ireland…
The sea: Everything I needed to know, I could have learned easier by watching the waves. ((Click the image to read 3 short sea poems).
Books: I’m not just a writer but a better human being, for being a reader. My thanks to everyone, past and present, who believes in the magic of two human imaginations connecting in silent communion across space and time.
Tweet me: @ornaross.